The Collective

Graduating from the University of Texas at Austin with a Radio-Television-Film degree and a concentration in creative production, Bri intended to work on the production side of the entertainment industry. By accident, she stumbled upon the exciting, up-and-coming niche of recorded live specials and has yet to stray away. She has experience in both commercial production and television sets, like "Stranger Things", but ultimately found her calling with the discovery of music and production crossover: recorded concert specials.

With the desire to capture the essence of live events from the audience POV, she strives to produce cinematic concert specials that showcase dynamic sound, spontaneity, and energetic crowds. Bri’s goal is to bring to life, on screen, the shared enthusiasm to be ever-present in the moment. Amplifying this experience through carefully crafted productions will extend the feeling even to those who weren’t in attendance.

Through her lively nature, bringing a positive dynamic comes second nature to Bri. Aside from music, Bri loves exploring the world and eating her way through countries. To continually broaden her understanding and appreciation for the world, she seeks out vibrant and new experiences. Asking her a few questions on the fascinating world of cryptocurrencies and blockchain technology, you might find yourself in a lengthy conversation on the potential of reshaping the future.

When she can, Bri loves shooting concert photography. Her stills have been used by Sone Cine, Fujinon, The Society of Camera Operators, as well as other notable companies and groups. One of her stills from the 2024 Super Bowl Halftime Show was recently used as the cover of an edition of Film and Digital Times.

Previous Roles: Graphics Producer, “Katt Williams: Woke Foke” (Netflix), Graphics Producer, “Crunchyroll Anime Awards” (Sony), Graphics Associate Producer, “SAG Awards Pre-Show” (Netflix), Associate Producer, “Baby Animal Cam” (Netflix), Associate Producer, “Baby Gorilla Cam” (Netflix).